The Colour Purple and The Yellow Wallpaper -- Goodman L. Approaching L

For go-cart the use of phrase is to do with an expression of self inopposition to gender oppression, of presenting self in opposition to alanguage which is not your own.Explain how this statement informs your reading of The Colour Purple (TCP), andThe chicken Wallpaper (TYW).In TCP, written in first person narrative, Walker uses the epistolarystyle of constitution, giving authority to the voice of Celie and enablingthe contributor to accept her as having real presence and experience. Inher opening earn to God, it is obvious she has no self-confidence,crossing herself out with a line through and through I am (p.3 TCP). Because hermother is so ill, Celie becomes a sexual goodness for her Pa,epitomising a mannish dominated society, where women accepted patriarchy.This epistolary style of writing was popular in the eighteenthcentury novel sentiment, morally teach the reader, with authority world given to the protagonist, in this case, Celie. Celie writes toGod, for lack of any life sentence person with whom to share her troubles(p.155 Literature and sex (LG). She is not able to endorse herselfdue to her multiple jeopardy, of being a woman, being black and beinguneducated. Celie is a woman who, through being raped and beaten byher Pa, is taught to fear men and devalue herself (p.55 LG). Asher garners progress, she grows in confidence within and about her ownlanguage. In an early letter to God, written when her Pa stopped hergoing to school after he got her pregnant the first time and heryounger sister continued to go, shows how she precious to be educated,I feel bad sometime Nettie done forefront me in learnin (p.12 TCP). Lateron, she meets Shug Avery, her husbands mistress, who helps her findconf... ...aper and uses it to liberateherself from the convention domestic role expected of her, and from thepatronising husbands language, such(prenominal) as What is it little girl?(p.353 TYW). Through her hysteria, she interprets the patterns on thewallpaper with a female language which is deliberately illogical,Emotional, non-linear, intuitive, as opposed to rational and logical.She writes, on that point is a recurrent spot where the pattern lolls like a impoverished neck and two bulbous eyes stare at you top of the inning down (p.351 LG).Both women are using their own language against male authority.BibliographyGoodman L. Approaching Literature. Literature and Gender.Walker A. (1983) The Colour Purple. Great Britain The Womens Press. audio recording/TVAudio Cassette 2 Women and Poetry AC2121Audio Cassette 3 Gender and Drama AC2122TV 2 Alcott and Woolf, Gilman, and Walker.