Dracula vs Blade

Essay The Consequence Of Modernity The scope of a point of time in history great(p)ly moulds an authors idea to create a story, and for some unmatchable else to evolve them. Events occurring within parliamentary procedure and the way people perceive separates at a time in like manner contributes majorly to the development of modernity. Bram Stokers impudent genus genus Dracula and David Goyers film mark Trinity contrast signifi quartertly as a result of variation in context. Weaponry had developed vastly over the two stories to cater for the advancements from one classic lamia to a fresh, modern, powerful one.The story of Dracula, set in Victorian times, consists of the simple, some primitive ordnance, particularly ones of a superstitious and religious value. For example, Holy Water, church Wafers, garlic and crucifixes were used mostly to ward pip Dracula, but the one weapon to defeat him was a Bowie Knife, driven through the heart, causing his trunk to crumble into a pile of dust. These weapons used were suited to the times the novel was set in, and were intentional to be a match for the current Draculas capabilities.An incredible contrast was cast between the weaponry in both texts, as stain Trinity app atomic number 18nt(a)ly expressed the advancements of engineering science through the use of some(prenominal) variations of machine guns, assault rifles and pistols. Not single gun machinery was used, but also weapon ideas created for the movie under the kinfolk of Nightstalker armoury such as laser bows and arrows, electronic pistols, and most famously known for destroying the modern-day vampire race, the Daystar Serum. This use of developed engine room from Stockers novel to Goyers film created the military issue of updated aspects to suit the variety of attitudes in fiat.The intention behind these noticeable advancements of weaponry was to assist the engineering to fit appropriately with the increasingly powerful capabilities of Blade Trinitys Drake. The acceptance and tolerance of violence within society would lose also created a factor contributing to weaponry advancements, as weapons became incredibly lethal through the movie Blade Trinity. Due to the construct of society sharing a greater acceptance of violence in media, weaponry was the very opposite to sugar-coated, and was envisioned as destructive as possible, only serving the purpose to kill.This could have been a possible rationalness as to why the weaponry to fight off a vampire had developed so differently into such deadly technology. The above points military service support the idea of context, and habits of society greatly contributing to the newer weaponry designed to suit and adapt to the villains they ar used to fight with against. The change in times can most transform acknowledgmentistics of a character, as evident through the two comparing texts. Stokers Dracula and Blade Trinitys Drake display a great physical difference bet ween them, which became obvious through comparison.Draculas dark appearance was first off pictured through Stokers novel as dress in black from head to foot, with appear a single speck of strain about him anywhere. He was also described as sporting a heavy moustache, massive eyebrows, and bushy hair. He was of age, and wore distinctive and unmistakeable features upon his face. Appearance is an flat noticeable difference between the two versions of head vampire, as Drake is portrayed visu every last(predicate)y as a modernised, young, handsome and clean-cut variation. He wore as clothes a chest-bare, white buttoned up shirt and pants, as well as several necklaces.Already, the colour difference of garments is clear, as the fully-black disguised Dracula portrays a dark, classic look, whereas Drake sports a westernised uniform, almost perfectly alteration into the rest of society. As exposed through the scene of Drake marching almost fiercely through the busy streets of an Americ an city, his appearance assists him to virtually work in with the rest of the commonly dressed, city-goers. Unlike Drake, Dracula unquestionably stood out from any person commonly dressed, even in the Victorian Era.This gave the issue of an obvious modernisation, and again, was an aspect created to suit the current audience and social habits. Differing context can prove to not only impact how a character is portrayed visually, but also how society perceives them, particularly with the uncertain c formerlypt of vampires possibly still being a story or fabrication within both texts. Stokers Dracula was generally revereed by his surrounding community, and believers of vampires tended to be over-superstitious of the danger he may bring to people.The legend of vampires was a topic infrequently found in an average conversation, as it was dreaded that even discussion would transport cursed luck and risks. superstitious notion is conveyed through the scene of the innkeepers wife deli vering the ominous pattern to Harker by cautioning him that All the evil things in the world will have full sway, before placing the Crucifix around his neck as a religious offering to hopefully serve the purpose of protection. This gives the effect that Dracula has a power above others, obviously because they are noble of him.Also, the way Dracula is written about expresses a sense that he may or may not intentionally give off an unwelcoming presence that tends to linger and produce a discomfort or fear among people within his surroundings, mostly in the earlier chapters of the novel. The contrast in comparison to societys light of Drake is tremendous, as the myth or legend of vampires is far from a secret in the 21st hundred world of Blade Trinity. It is seen through the opening scene that vampires are discussed commonly on news events, designed to assert and inform the cosmos of any danger emerging within the city.This shows immediately that the public is manifestly used to hearing about the possible risks that arise with the company of vampires, which can again support the idea of rates of modernity and development does in fact depend of how and how often changes in attitudes and culture occurs within society. A scene example of the general whole of societys views and perception in Blade Trinity was the tattoo parlour of which Drake had entered, and to his disgust, was mocked by several dozens of comedic merchandising, Dracula-themed products.Drake became visibly outraged, taking out his frustration on the storekeepers, as he was clearly insulted with the modernisation progress vampires were experiencing, having some aspects of their lives portrayed a little too light-heartedly and humorously. This scene is an example of the great contrast of which seriousness seemed to begin to be lacking from the vampire myth concept, whereas such merchandise products supplied in the Victorian times would have been slight than humorous.These examples again suppor t any reason for change and modernisation occurring simply to adapt to the forever-changing social interests of the public. The average women of Victorian times were nothing other than lady-like, pure, and honourable without question. That is why there is such a severe differentiation when compared to some particular hard-hitting, courageous and heroic females of the 21st century, such as Blade Trinitys character Abigail.Firstly, Draculas guide female characters Mina and Lucy are great examples of typical, virtuous Victorian women, and are both also men-focused. Lucy portrays an obvious sexual magnetism, and cannot help but be drawn to several men. Evidently she is offered three proposals in one day, and proudly expresses, Why cant they let a girl bond three men, or as many want her, and save all this trouble? Mina is a different kind of man-focused Victorian woman, as she is far from sexually driven unlike Lucy, and cares only for further ways to be useful and valuable to her husband.The two girls possess common charwoman values, and act only as socially accepted as woman, which is to turn out in a feminine and respectable manner, with the exception of acting as a sexual tease when desired. Whereas in Blade Trinity, it is seen that Abigail (a strong-headed, determined tomboy), is the realized opposite of the original characteristics possessed by Mina and Lucy. Abigail competes with the equivalent strength and determination of her male team partner Hannibal King, and is often the one rescuing Hannibal from danger.She possesses a fearless personality, and demonstrates brute-strength in scenes such as the train station, of which teenage-vamps attempt to exhaust her decoy baby and herself, but are stopped immediately once she whips out her lethal weapons, specifically designed for destroying vampires. She proves to be close to physically unstoppable, and has the willpower to take over the world. This swapping of gender roles is a reflection of what is s hortly recognised by society as a positive concept, as the 21st centurys restrictions on what woman are satisfactory of in a mans world are decreasing.Therefore a consequence of modernity would be that gender roles may have grow less specific in society, which is reflected in the personality changes of characters of Dracula compared to Blade Trinity. In conclusion, acceptable practices and cultures within society are what influence the advancements and modernisation of one story to another. Cultures are constantly changing, therefore ideas such as gender roles and technology within stories for example, will forever be adapting to the demands of society at that present time.